Recology

Recology Yuba-Sutter Golf Tournament – April 25

Posted in Community, Events, Yuba-Sutter by erinatrecology on April 8, 2014

Golf Fun2014 marks the 17th year of the Recology Yuba-Sutter Invitational golf tournament. By the time the last putt drops, Recology Yuba-Sutter will have raised almost $1/2 million dollars for our community.

From 1998 – 2011, the support provided grad night parties for eight area high schools. These parties provide a safe environment for high school students to celebrate graduating before moving on to the next stage of their lives. In 2011, when school budget cuts hit Shady Creek’s Outdoor Education program, Recology Yuba-Sutter stepped up with a 4-year commitment to the program to send students to a week-long environmental camp.

The Recology Invitational has been our signature event for almost two decades. Our employee owners are proud of what we’ve accomplished with the funds raised. As our community continues to grow, so does the Recology vision – to continue serving the needs of our region. This year’s tournament will be our last golf fundraising event as we now turn our attention and future efforts toward even bigger and better ways to support our community.

17 Years of Yuba-Sutter Golf:
16 Golf Events
592 Foursomes
2,368 Golfers
4,736 Mulligan’s
82,880 raffle tickets
1 million thank you’s

Would you like to play?
Golf Entry is $125 (includes golf, lunch and dinner)
Plumas Lake Country Club
Four Person Scramble, Shotgun start at Noon
Lunch served from 10:30-11:45am
Dinner follows golf, 5:30

To RSVP or for more info contact: Jackie Sillman
Jsillman@recology.com
530-749-4220

 

 

 

Recology San Mateo County Bare Necessities Toiletries Drive

Posted in Community, Events, Recology, San Mateo County by erinatrecology on March 11, 2014

Recology San Mateo County is currently collecting donations for our annual Bare Necessities Toiletries Drive.  Each year we partner with CORA of San Mateo County to collect toiletries for CORA’s housing and shelter programs.  CORA is a local organization that helps support victims of domestic abuse.  They are a great asset to our community, and we love to help support their programs.

To donate, please drop off your items at the Recology San Mateo County office by March 31: 

Recology San Mateo
225 Shoreway Road
San Carlos, CA 94070

Recology San Mateo County

About CORA:

Recology San Mateo CountyCORA is the only agency in San Mateo County with the sole purpose of serving victims/survivors of domestic violence/abuse. We are a multicultural agency committed to serving victims/survivors, regardless of age, ethnicity/race, financial status, language, sexual orientation, immigration status, class, religion, gender, mental or physical ability.

CORA provides free and confidential emergency, intervention and prevention services, including the county’s only emergency shelter and transitional housing for victims/survivors and services in Spanish and English.

Last years combined total donations:

Recology San Mateo County

Bradley Washington (Driver at RSMC), Leanne Granucci ( Customer Service Supervisor at RSMC), Jeannette Haskell ( Customer Service Manager at RSMC), and Michael O’Donahue (Development Director at CORA)

6 packs of diapers
6 packs of toilet paper
6 hand gels/body moisturizers
1 bottle of contact lens solution
1 Neosporin
4 packs of dental floss
162 toothbrushes
7 bottles of baby shampoo/baby lotion
2 nursing care kits
18 bars of soap
17 Regular size packs of toothpaste
49 Travel size packs of toothpaste
13 deodorants
20 bottles of shampoo/conditioner
3 quart size bags with misc soaps, conditioners, shampoos, and lotions
11 packs of baby wipes
56 bottles of mouth wash
24 bottles of oral rinse
4 Kleenex boxes
40 razors
13 hair brush/combs

San Francisco Chinese New Year Festival and Parade

Posted in Community, Events, San Bruno, San Francisco, San Mateo County, Silicon Valley, South Bay by erinatrecology on January 31, 2014

Chinese New Year at Recology
Happy Lunar New Year – Gung Hay Fat Choy!

Join Recology in celebrating Chinese New Year at the San Francisco Chinese New Year Festival and Parade.

When: February 15, 5:15 pm – 8:00 pm
Location: Market and Second Street to Kearny and Jackson
For more information, visit www.chineseparade.com/route.asp

Recology Sunset Scavenger and Recology Golden Gate have been collecting recyclables and trash in San Francisco for well over 80 years. We’re excited to celebrate another year of service at the San Francisco Chinese New Year parade on Saturday, February 15th. Our Recology Drill Team and the Recology Dragon and Pearl will make an appearance at this years parade to welcome the Year of the Horse.

The Recology Dragon and Pearl, created by San Francisco artists Dana Albany and Flash Hopkins, is constructed out of 100% recycled materials. As a “tip-of-the-hat” to our history, the Recology Drill Team will be showing the crowd what they can do with a packing can. In the past, they carried these cans on their backs, house-to-house, up and down stairs, and into backyards collecting trash before carrying it back out to the street to dump into the truck. These folks have to be in shape, since each can weighs 40 pounds when empty!

Following the award-winning drill team, will be “Old Red,” an antique garbage truck built in 1948. While “Old Red” was state-of-the-art in the 1940s, today Recology’s entire fleet of modern collection vehicles are powered by clean, alternative fuels such as liquid natural gas and bio-diesel.

Last in line will be the “Green DeMartini,” an antique truck from 1954. This truck collected materials from the streets of San Francisco for over 30 years!

The Recology Family invites you to celebrate Lunar New Year with us! GUNG HAY FAT CHOY!

Parade route map:

paraderoute (more…)

Upcoming Artist in Residence Program Exhibition at Recology San Francisco

Posted in Community, Diversion, Events, San Francisco, You Should Know... by art at the dump on January 6, 2014

The Artist in Residence Program at Recology San Francisco will host an exhibition and reception for current artists-in-residence Yulia Pinkusevich, Stephanie Syjuco, and student artist Brittany Watkins on Friday, January 24, from 5-9pm and Saturday, January 25, from 1-3pm. Additional viewing hours will be held on Tuesday, January 28, from 5-7pm. An artist panel discussion will follow at 7pm at 401 Tunnel Avenue. This exhibition will be the culmination of four months of work by the artists who have scavenged materials from the dump to make art and promote recycling and reuse.


Yulia Pinkusevich: The Glory of a Tool is Seldom Judged by Its Handle

An important part of Yulia Pinkusevich’s practice involves the creation of large-scale monochromic paintings and drawings, often made directly on walls that engage with architecture and play with spatial perception. While at Recology she has continued this practice, but has also “drawn” with the duality of light and shadow, constructing projection boxes that contain objects that cast images on the walls of the studio’s back room. The results are visually complex cityscapes—large darkened outlines of high-rises and other familiar urban forms. While it is obvious this is a city, exactly what city this might be is less clear, as the architecture seems a cross between the futuristic and the familiar. It is no wonder that these forms are a bit enigmatic; they are created using capacitors and heat sinks pulled from common electronic devises—devices we interact with every day, but whose working components are far less familiar.

Pinkusevich examines the role of architecture in our daily lives and how it frames, transects, and obscures the world around us, affecting our spatial perception and cognitive understanding. Her use of components from computers and televisions—technologies that also shape our perception of the world—is an apt metaphor. Her work also addresses broader issues related to global urbanization and labor. The fabrication of electronics and other consumer goods increasingly has societal and environmental consequences when formerly rural areas become sites of rapidly built factories and worker housing. The long-term impact this instant architecture will have is only beginning to be understood. Pinkusevich’s working process also provided a more direct connection to labor. She discovered that there was a specific order to disassembling the electronics and realized that she was actually reversing the process of the people who put these components together. Other sculptural works speak to this more personal view of labor and tie what is built to the anonymous builders, people whose labor—whether used for the construction of an apartment block or a pair of jeans—is increasingly taken for granted along with the resources used to fuel our disposable lifestyles.

Born and raised in the Ukraine, Pinkusevich holds a BFA from Rutgers University and an MFA from Stanford University. She has been the recipient of a Headlands Center for the Arts Graduate Fellowship in Sausalito, a Cite Des Arts International Studio Residency in Paris, and a Helen Wurlitzer Foundation Residency Grant in Taos, New Mexico. She has exhibited primarily in San Francisco, New York and Santa Fe and her work is in the collection of Google, Inc. and the city of Albuquerque.


Stephanie Syjuco: Modern Ruins (Popular Cannibals)

For Modern Ruins (Popular Cannibals), Stephanie Syjuco takes beloved archetypes of modernist furniture and reproduces them dump-style to explore a range of ideas related to production, consumption, class, and economies. Continuing her investigation of copies and counterfeits, her George Nelson tables and Verner Panton lamps speak to how today’s reproductions are generations removed from their furniture forbearers. These iconic objects have been knocked-off or borrowed from so often that many people may think they originated at Ikea or Crate and Barrel. By exploring these forms, questions arise as to the original intent behind the designs and their meaning in today’s world where the clean lines of modern furniture often serve as signifiers of an affluent, idealized lifestyle.

Using what she describes as a “shanty-like” aesthetic, Syjuco’s reproductions are certainly not meant to fool anyone or be functional. Instead, they bring the sleek, modern ideal into collision with the scavenged and cobbled-together through the immediate use of materials in rudimentary constructions. The works speak to the shoddy materials and cheap labor used to produce affordable contemporary modern furniture, and like the remnants of a dying civilization, suggest societal and environmental collapse. Calling on her own memories of the Philippines where International Style buildings stood alongside slums and shanties, Syjuco’s work also references Modernism’s long and complicated relationship to developing countries—how decades ago these new urban spaces adapted and formed their own versions of Modernist architecture which in many cases are now dilapidated signs of the promise of utopian progress.

Syjuco is an assistant professor in Sculpture at the University of California at Berkeley. Her work is in the collections of the Whitney Museum of American Art, the San Francisco Museum of Modern Art, the New Museum in New York, and the Museum of Fine Arts Houston. She received an MFA from Stanford University and a BFA from the San Francisco Art Institute and has exhibited internationally including at venues in Paris, Manila, Berlin, and Bangkok. She is represented by Catharine Clark Gallery in San Francisco.

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Brittany Watkins: The Time Objects Tell
During her residency, Brittany Watkins has collected objects such as window blinds, wire and inner tubes, and has shredded, knotted, woven and bent them to create abstract sculptural works. By dramatically altering their forms, Watkins has liberated these common items from their intended uses and explores their hidden potential. Watkins’ repetitive and time-intensive working process provides intimacy with the materials, and the resulting sculptures speak to connections between the inanimate and the animate. Suggestive of natural or biological forms, her works may also prompt viewers to assign more personal, human qualities to these objects.

For her exhibition, Watkins will present a large-scale sculpture as the centerpiece of an installation that will include other smaller, related works. Designed to be entered, this central piece will enable viewers to step inside, be engulfed by the materials, and have the same sort of personal experience with them that the artist did when making the work. Those that enter will also be confronted with their own physicality within a space that itself references the body. The other small pieces that compose this sculptural ecosystem serve to illustrate the versatility and mutability of the materials. They are grounded, but also loop, drape, and expand out, adapting as required to unseen forces.

Watkins is a graduate student at the California College of the Arts. She received her BFA from Montana State University with an emphasis in sculpture. She has exhibited at the Center on Contemporary Art in Seattle, the International Sculpture Center Temporary Space in Chicago, and the IEI Austin Gallery in Texas. Her work was published in the October 2011 issue of International Sculpture.


About the Recology Artist in Residence Program

Since 1990, the Artist in Residence Program at Recology San Francisco has encouraged the conservation of natural resources while instilling a greater appreciation for art and the environment in children and adults. This one-of-a-kind program enables artists to work in studio space on site for four months, use materials recovered from the Public Disposal and Recycling Area, and speak to students and the general public about reuse and their residency experiences. Over one-hundred professional Bay Area artists have completed residencies. Applications are accepted annually in August.

When:
Reception- Friday, January 24, 2014, 5-9pm
Reception-Saturday, January 25, 2014, 1-3pm
Additional viewing hours-Tuesday, January 28, 2014, 5-7pm
Artist panel discussion- Tuesday, January 28, 7pm

Where: Art Studio located at 503 Tunnel Ave. and Environmental Learning Center Gallery at 401 Tunnel Ave., San Francisco, CA

Admission is free and open to the public, all ages welcome, wheelchair accessible. http://www.recologysf.com/AIR

Coats for Kids collection in San Bruno

Posted in Events, Recology, Resource Recovery, San Bruno, You Should Know... by ecotulip on October 23, 2013

Sponsored by Recology San Bruno and the City of San Bruno

The Coats For Kids Coat drive has started! Help someone in San Mateo County stay warm this winter. Donate new or clean, gently used coats from infant to adult sizes.

Drop off your coats at the collection bin at the San Bruno farmers’ market booth this Sunday!

Can’t make it to the Farmer’s Market this Sunday? There are other ways to participate.

Drop-off Locations (October 1st – October 31st):

Busy Baker 444 San Mateo Avenue

Crystal Springs Terrace Apt, office – 2000 Crystal Springs Rd

First Filipino American Church 461 Linden Avenue

La Petite Baleen Swimming School – 434 San Mateo Avenue

Marshall Realty – 683 Jenevein Avenue

Peninsula Place Condos Club House – 1125 Cherry Avenue

Prudential California Realty – 180 El Camino Real

San Bruno Cable – 398 El Camino Real

San Bruno Chamber of Commerce – 618 San Mateo Avenue

San Bruno City Hall – 567 El Camino Real

San Bruno Fire Department – 555 El Camino Real

San Bruno Library – 701 W. Angus Avenue

San Bruno Recreation Center – 251 City Park Way

Shelter Creek Condo Club House – 701 Shelter Creek Lane

Tony’s Auto Repair – 601 Kains Avenue

Special Collection:

October 21st – 25th, Recology San Bruno will collect coats in clearly marked bags placed curbside on your regular garbage day.

Saturday, October 26th –8:00 AM – 5:00 PM, bring your coats to the AYSO soccer fields at the former Crestmoor High for Make a Difference Day

Coat Give Away Day

Date & Time:Thursday, November 21st, 4:00-7:00PM

Where:National Guard Armory, 455 3rd Avenue

All are welcome! Limit ONE coat per person. Children MUST be present to receive a coat.

Coats for Kids is made possible by:

* California National Guard

* Our wonderful volunteers

* San Bruno residents and businesses

* San Bruno donation sites

Volunteer at Coat Give Away Day!

Would you like to help children and their families find a new warm coat for the winter?

Please contact Recology San Bruno at 650-583-8536 for more information.

Join us at the California Coastal Cleanup

Posted in Events, Recology, You Should Know... by art at the dump on October 11, 2013

Saturday, September 21

9AM – noon

 Are you looking for something to do tomorrow? Join us for the Coastal Cleanup tomorrow morning.

Check out the links below to register and participate! 

Event Registration, Materials & Resources          

http://www.parksconservancy.org/events/volunteer-events/special-events/california-coastal-cleanup.html

  • Includes information on:     
    • Sites
    • 2012 stats & more about Coastal Cleanup Day
    • Sponsors & Site Captains
    • Downloadable Posters & Waiver Forms

Want to coordinate a team? Visit CCC: www.coastforyou.org

 Recology & iMRF: http://www.recologysf.com
 

Get up to speed on the reasons to participate:

Recology San Mateo County cleans up the Bayfront

Posted in Events, Recology, San Mateo County by art at the dump on October 11, 2013

Our Recology San Mateo County volunteers participated in the 29th Annual San Mateo Bayfront Clean Up. Volunteers picked up litter along the Bayfront Trail, San Mateo Creek, Marina Lagoon and Tidelines Park. Most of the materials found were cigarette butts, food wrappers, plastic bags, and plastic water bottles. There were also some very interesting finds in our bay… tires, shopping carts, chairs, and even toys!

“The clean up was a great bonding time with the family and a gratifying experience to be able to help in keeping the environment clean.”

- Sheila, Recology San Mateo County employee-owner

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“Zéro déchet,” is it possible?

Posted in Events, You Should Know... by ecotulip on September 18, 2013

 

Everyone loves good food. But who knew the food we don’t eat would become a story in the country recognized by the United Nations as a true culinary leader?

On Thursday, 9.19.13, “Complément d’enquête,” the popular French news show modeled after 60 Minutes will air a 1-hour program on challenges Europe faces in dealing with trash. And what will steal the line up? San Francisco’s efforts to send next to nothing to landfill achieving zero waste.

The star of the report will be food from San Francisco. Not some amazing new dish from the great restaurants in San Francisco, sister city to Paris, but vegetable trimmings, fish bones, and all the other food scraps San Franciscans toss in the green compost collection bins we wheel out to the curb.

San Francisco’s urban compost collection program keeps materials out of landfills, returns nutrients to local farms, and helps farms grow healthy food that comes back to the city to support your good health.

The program is a driver in the zero waste movement, an international movement that is taking root in France, Italy and other countries that want to reduce landfilling and incineration by increasing both recycling and composting. This summer New York City Mayor Michael Bloomberg announced plans introduce food scrap compost collection across the Big Apple.

The TV crew from France2 filmed recycling and compost collection in the Excelsior District, Recycle Central on Pier 96, Recology’s Jepson Prairie Organics compost facility, and a Napa County vineyard that for 12 years has applied compost made from food scraps collected in San Francisco.

Thursday, Sept. 19, 10:15 p.m., France TV2. You can watch the trailer here: http://www.france2.fr/emissions/complement-d-enquete/diffusions/19-09-2013_124112

Upcoming Artist in Residence Program Exhibition at Recology San Francisco

Posted in Diversion, Events, San Francisco, You Should Know... by art at the dump on September 5, 2013

The Artist in Residence Program at Recology San Francisco will host an exhibition and reception for current artists-in-residence Kristin Cammermeyer and Chad Hasegawa, and visiting artists Claudel Casseus, Romel Jean Pierre, and Racine Polycarpe on Friday, September 20, from 5-9pm and Saturday, September 21, from 1-3pm. Additional viewing hours will be held on Tuesday, September 24, from 5-7pm. An artist panel discussion will follow at 7pm at 401 Tunnel Avenue. This exhibition will be the culmination of work by the artists who have scavenged materials from the dump to make art and promote recycling and reuse.

Kristin Cammermeyer: DOUBLE HOW in & out the Back Room

When first looking at Kristin Cammermeyer ’s large-scale installation in the backroom of the Recology Art Studio, one might not immediately see a connection to her background as a painter. But it soon becomes apparent that she manipulates line, color, and perspective to alter perception, much as a painter does to convey three-dimensionality in 2-D. Cammermeyer uses these effects to create a sense of disorientation, which she likens to the surreal environment of the Public Disposal and Recycling Area, where she scavenged for materials. Viewers can succumb to the manipulation of lights, mirrors, and other objects placed in groupings throughout the space that appear like abstract still-lifes, framed by the lumber that is the infrastructure for the installation. Though carefully composed by the artist, the arrangements speak to the random meeting of materials at the Recology site which Cammermeyer has described as, “the arbitrary, yet seemingly composed moments that can occur at the fringes…instances of incidental formalism that suggest a collective consciousness and elegant design in a seemingly haphazard world.”

Site-specific in nature, Cammermeyer’s installation mirrors the framework and trusses of the building’s architecture which she sees as another found material with which to work. Cammermeyer has placed raw materials at the top of the installation, with the materials becoming more refined as they move down through the piece, drawing connections between the artistic process, the dump, and human digestion, in their shared processing of materials through labor. The constant movement of materials at the Recology facility is mimicked in the life-cycle of the installation, documented in her time-lapse video. The video provides a flattened, framed format through which one can experience the changing work. The precision of her construction and the vision behind it becomes even more apparent in this context as lines, shapes, and objects strategically envelop the video screen. Cammermeyer will also embed small mixed-media pieces within the installation and is working on a series of owl boxes for the sculpture garden.

Chad Hasegawa: Os Pukas

A constant in Chad Hasegawa’s paintings, sculptures, and murals is his iconic grizzly bear. Traditionally symbolic of strength and courage, in Hasegawa’s works the bear’s meaning is expanded to personify a range of qualities. Sometimes self-referential and sometimes representing the artist’s family or friends, Hasegawa’s bears offer the opportunity for anyone to see themselves in his depictions of strength, protectiveness, vulnerability, solitariness, and fierceness. During his residency, Hasegawa’s grizzly bear has explored the terrain of the dump. Paintings, sculpture, and an installation by Hasegawa position the bear as scavenger and survivor trying to make a home amidst the cast-off debris, and speak to the collision of nature and civilization. By positioning the bear at the dump, associations can be made regarding how our trash ultimately impacts the natural environment and the animals who reside there, but Hasegawa’s work speaks more broadly to ideas of the human/animal relationship. His bears inspire a sense of reverence, and suggest a more mystical or unexplainable connection between us and our animal counterparts. Says Hasegawa, “…bears are highly respected in many cultures and are considered to be ancestral spirits. Each of my bear paintings is created with the intent of being a protector; personally for myself and for everyone that may come across my work.”

In a large-scale installation, Hasegawa has crafted a cave from corrugated sheet metal, wood, and other found objects. By calling the work “Os Pukas,” Hasegawa has combined Portuguese and Hawaiian, using the word puka, or hole, to reference both a habitable space and the artist’s Hawaiian roots. Visually connected to shanty towns, such as the favelas of Brazil, the installation is both a bear’s den and a symbol of global struggles to find shelter and security. The work speaks to the fundamental need for habitable spaces, connecting us in the most primal of ways to the animal world. In addition to the installation, paintings, and sculptural works, Hasegawa will also paint a mural outside the Household Hazardous Waste Facility.

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Port-au-Prince to San Francisco: Work by Claudel Casseus, Romel Jean Pierre, and Racine Polycarpe

Beginning in mid-August the Recology Artist in Residence Program will welcome Claudel Casseus, Romel Jean Pierre, and Racine Polycarpe to the San Francisco Solid Waste Transfer and Recycling Center. The artists live and work in Grand Rue, Port-au-Prince, Haiti and are part of Atis-Rezistans, an artist collective whose members use recycled materials to create assemblage art. Their mini-residency at Recology is sponsored by Project HOPE Art, a local non-profit. This will be the first time artists from outside the Bay Area have participated in Recology’s residency program.

Claudel Casseus
Claudel Casseus was born in 1981 in Grand Rue, Port-au-Prince, a neighborhood with a strong art and creative community. From a young age Casseus made art and in 2008, he joined Atis-Rezistans. In 2009, he participated in the 1st Ghetto Biennial, an international arts festival organized by Atis-Rezistans and British artist/curator Leah Gordon. During the Biennale, Casseus met British artist Bill Drummond, and after the 2010 Haitian earthquake he collaborated with Drummond on Imajine, a book describing his experiences following the disaster. Casseus’s sculptures, informed by Vodou and made from recycled materials, have been included in many exhibitions. This will be Casseus’s first trip outside of Haiti.

“I grew up in a large ghetto in Port-au-Prince, a place that has a lot of trash around. I take advantage of this situation by creating artwork with the same garbage found in the community. I think this is a way to educate people who live in the area, to make people understand that it is not necessary to keep throwing trash in the street. Because with art, any number of things can be created. Definitely, art is a means of communication with everyone, regardless of social differences. Art can help a person to manage the frustration inside him and it enables you to say what you feel is happening in the world, whether positive or negative. Therefore, I think a person who chooses to make art is a person who wants to collaborate with the world.”

Romel Jean Pierre
Growing up in Port-au-Prince, where he was born in 1993, Romel Jean Pierre initially was interested in becoming a politician, but turned his focus to art when he attended the 1st Ghetto Biennale. He joined the youth division of Atis-Rezistans, called Timoun Rezistans, and began creating the video performance/citizen media series, Tele Ghetto Haiti. For the 2nd Ghetto Biennale he collaborated with Bay Area artist and writer Robert Gomez on Dreams/Rèv Ou, a video project in which Haitians speak about their hopes for the future. Romel’s works have been exhibited widely. In 2011 he was a visiting artist at Bates College in Maine, and in April, 2013 he attended the Tribecca Film Festival in New York where he participated in a panel discussion on Inside Out-The People’s Art Project, a documentary film about the French artist JR who worked with Romel in Haiti. Tele Ghetto video works can be seen on Facebook and Youtube. Romel will head the new photography program at the Project HOPE Art Center located at Haiti Communitere, in Port-au-Prince. The Art Center is housed in a converted 20-foot shipping container.

“The Rezistans movement means many things to me, because when I wasn’t part of it, I knew I would spend each day not doing anything and that knowing life would pass me by as I joked around, not going to school and losing all good chances in my life…”

Racine Polycarpe
In 2006 at the age of fifteen, Racine Polycarpe was adopted by his uncle, the well-known artist, Jean Hérard Celeur. He worked as an apprentice at his uncle’s school, the Realm of the Arts and Minds, in Grand Rue, Port-au-Prince, where he learned about contemporary art history, the skills of carving wood and rubber, and how to create sculptural works from found objects. Polycarpe is also a member of Atis-Rezistans, which was founded by his uncle. His work has been exhibited in Haiti at the Institut Francais (2009), the Fet Gede at the National Cemetery (2009), the 1st and 2nd Ghetto Biennales (2009, 2011), and Nouvo Rezistans at the Institut Francais (2011). In 2010 his work was exhibited at the Portman Gallery in London, and at the XISM Etnografiska Museet in Stockholm. This will be his first trip outside of Haiti.

“I make sculpture out of recycled materials such as wood, plastic, metal, rubber, and anything I find. I also make painted sculptures with carved rubber from old tires. The reason I use these materials as my medium is because, in my country, when people are finished using things they just throw them outside. As artists we see value in these things and turn them into art following the history of assemblage art. It is a transformative act to take these discarded objects off the street and turn them into art.”

About the Recology Artist in Residence Program

Since 1990, the Artist in Residence Program at Recology San Francisco has encouraged the conservation of natural resources while instilling a greater appreciation for art and the environment in children and adults. This one-of-a-kind program enables artists to work in studio space on site for four months, use materials recovered from the Public Disposal and Recycling Area, and speak to students and the general public about reuse and their residency experiences. Over one-hundred professional Bay Area artists have completed residencies. Applications are accepted annually in August.

When:

Reception-Friday, September 20, 2013, 5-9pm

Reception-Saturday, September 21, 2013, 1-3pm

Additional viewing hours-Tuesday, September 24, 2013, 5-7pm

Artist panel discussion-Tuesday, September 24, 7pm

Where:

Art Studio located at 503 Tunnel Ave. and Environmental Learning Center Gallery at 401 Tunnel Ave., San Francisco, CA

Admission is free and open to the public, all ages welcome, wheelchair accessible.
http://www.recology.com/AIR

Art made from garbage delights travelers at SFO

Posted in Events, Recology, San Francisco, You Should Know... by ecotulip on June 25, 2013

News release

San Francisco, Calif. (June 25, 2013) – Recology announced today the launch of a web page featuring SFO Museum’s exhibition of work from the Recology Artist in Residence Program at the United Terminal. The Art of Recology, highlights this innovative art program that was founded to challenge the way we think about waste, consumption, and art.

The video and slide show, located at recologysf.com/SFO, allow those who can’t see the exhibition in person to experience the artwork online. More than 100 pieces made by 45 Bay Area artists who have participated in the program are on display.

“The purpose of the program is to encourage recycling, help San Franciscans think outside of the box, and help us get to Zero Waste,” said program manager Deborah Munk. “Recology believes that art has the power to influence behavior and inspire new ways of thinking about resource conservation and sustainability.”

The exhibition is open through October 2013 and is expected to be viewed by more than 2.5 million people. The myriad of artworks displayed include a gown made from recycled San Francisco Chronicle delivery bags and a life-sized Styrofoam Hummer.

“The wide-ranging artworks stand on their own as extraordinary examples of beauty and creativity, but the larger message of the need to change our view of material goods and their disposal in the waste stream is ever present,” said Tim O’Brien, SFO Museum Curator of Exhibitions. “It’s really gratifying to see such a strong public response by visitors.”

The Recology Artist in Residence Program aims to inspire and educate by providing local artists with access to materials, a work space, and monetary and administrative support. The artists chosen for the professional residency program have 24-hour access to a studio space and can scavenge in Recology’s Public Disposal and Recycling Areas for materials. Every piece they make has to be made completely from recycled or reused materials.

Through its tours and exhibitions over the past 23 years, the Artist in Residence Program has brought together diverse communities such as artists, students, environmentalists, businesses, and educators who share a common goal of creating a more sustainable world. The program has become world renowned, sponsoring more than 100 Bay Area artists since it began in 1990.

“In my opinion, this exhibition is the highlight of the Artist in Residence Program,” Munk said. “We believe that people who visit the SFO Museum exhibition will start thinking about reuse or recycling in a way that they wouldn’t by merely getting a pamphlet in the mail.”

To watch a video about the exhibition or download images of the artwork, visit recologysf.com/SFO.

Media Contacts:

Gina Antonini

Singer Associates

gina@singersf.com

(415) 269-2237 cell

Deborah Munk

Recology

dmunk@recology.com

(415) 330-1415

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