Recology

The Great Compost Giveaway – April 12, 2014

Posted in Community, Composting, Recology, Resource Recovery, San Francisco, WASTE ZERO by erinatrecology on March 13, 2014

Recology Compost Giveaway

Turning Municipal Waste into Energy: Recology Runs on Alternative Fuel

Guest blogger, Chris Choate, VP of Sustainability at Recology, leads us through the dynamic world of creating biofuels.

Recology BiodieselRecology is driven to find the social, environmental, and economical solution to power our fleet of vehicles with fuel produced from the residual resources (waste material) from your trash. We’ve spent a lot of time evaluating and researching ways to generate and utilize bio-methane from our landfills and anaerobic digesters to power our trucks.

Our solution has proved to be a good one thus far.  We’ve found a way to integrate biofuels into our fleet fuel sources by transitioning to alternative fuel  equipment and utilizing compressed natural gas (CNG), liquefied natural gas (LNG) and B20 biodiesel.  

Recology continues to partner with the City of San Francisco in an effort to lead the nation in diverting material from landfills to achieve the highest use of all materials. Over 80% of the material diverted is collected through an integrated system of reduction, reuse, recycling, and composting.  Even with all of these collection processes, over half of the current material going to the landfill is degradable and a good source of biomass material.

Recology is fortunate to have these alternative fuels accessible to us through our collection, recycling, and compost facilities. We not only rely on our recycling efforts to divert and reuse materials, but we rely on the nature of biology to also help our goals of zero waste.

SF Environment created the City’s Zero Waste Plan from our overarching environmental principles that include:

  • Reusing materials at a level that is their next best and highest use
  • Avoiding high-temperature conversion (incineration)
  • Achieving the highest carbon footprint reduction possible
  • Employing local and biological processes that mimic nature

Currently, biological processes are used, managed, and exploited to stabilize thousands of tons of organic material a year through our compost programs.  It is consistent with Recology’s sustainability goals, and the City’s overarching principles, to further utilize natural processes to produce biodiesel from the City’s waste stream.

San Francisco Chinese New Year Festival and Parade

Posted in Community, Events, San Bruno, San Francisco, San Mateo County, Silicon Valley, South Bay by erinatrecology on January 31, 2014

Chinese New Year at Recology
Happy Lunar New Year – Gung Hay Fat Choy!

Join Recology in celebrating Chinese New Year at the San Francisco Chinese New Year Festival and Parade.

When: February 15, 5:15 pm – 8:00 pm
Location: Market and Second Street to Kearny and Jackson
For more information, visit www.chineseparade.com/route.asp

Recology Sunset Scavenger and Recology Golden Gate have been collecting recyclables and trash in San Francisco for well over 80 years. We’re excited to celebrate another year of service at the San Francisco Chinese New Year parade on Saturday, February 15th. Our Recology Drill Team and the Recology Dragon and Pearl will make an appearance at this years parade to welcome the Year of the Horse.

The Recology Dragon and Pearl, created by San Francisco artists Dana Albany and Flash Hopkins, is constructed out of 100% recycled materials. As a “tip-of-the-hat” to our history, the Recology Drill Team will be showing the crowd what they can do with a packing can. In the past, they carried these cans on their backs, house-to-house, up and down stairs, and into backyards collecting trash before carrying it back out to the street to dump into the truck. These folks have to be in shape, since each can weighs 40 pounds when empty!

Following the award-winning drill team, will be “Old Red,” an antique garbage truck built in 1948. While “Old Red” was state-of-the-art in the 1940s, today Recology’s entire fleet of modern collection vehicles are powered by clean, alternative fuels such as liquid natural gas and bio-diesel.

Last in line will be the “Green DeMartini,” an antique truck from 1954. This truck collected materials from the streets of San Francisco for over 30 years!

The Recology Family invites you to celebrate Lunar New Year with us! GUNG HAY FAT CHOY!

Parade route map:

paraderoute (more…)

Upcoming Artist in Residence Program Exhibition at Recology San Francisco

Posted in Community, Diversion, Events, San Francisco, You Should Know... by art at the dump on January 6, 2014

The Artist in Residence Program at Recology San Francisco will host an exhibition and reception for current artists-in-residence Yulia Pinkusevich, Stephanie Syjuco, and student artist Brittany Watkins on Friday, January 24, from 5-9pm and Saturday, January 25, from 1-3pm. Additional viewing hours will be held on Tuesday, January 28, from 5-7pm. An artist panel discussion will follow at 7pm at 401 Tunnel Avenue. This exhibition will be the culmination of four months of work by the artists who have scavenged materials from the dump to make art and promote recycling and reuse.


Yulia Pinkusevich: The Glory of a Tool is Seldom Judged by Its Handle

An important part of Yulia Pinkusevich’s practice involves the creation of large-scale monochromic paintings and drawings, often made directly on walls that engage with architecture and play with spatial perception. While at Recology she has continued this practice, but has also “drawn” with the duality of light and shadow, constructing projection boxes that contain objects that cast images on the walls of the studio’s back room. The results are visually complex cityscapes—large darkened outlines of high-rises and other familiar urban forms. While it is obvious this is a city, exactly what city this might be is less clear, as the architecture seems a cross between the futuristic and the familiar. It is no wonder that these forms are a bit enigmatic; they are created using capacitors and heat sinks pulled from common electronic devises—devices we interact with every day, but whose working components are far less familiar.

Pinkusevich examines the role of architecture in our daily lives and how it frames, transects, and obscures the world around us, affecting our spatial perception and cognitive understanding. Her use of components from computers and televisions—technologies that also shape our perception of the world—is an apt metaphor. Her work also addresses broader issues related to global urbanization and labor. The fabrication of electronics and other consumer goods increasingly has societal and environmental consequences when formerly rural areas become sites of rapidly built factories and worker housing. The long-term impact this instant architecture will have is only beginning to be understood. Pinkusevich’s working process also provided a more direct connection to labor. She discovered that there was a specific order to disassembling the electronics and realized that she was actually reversing the process of the people who put these components together. Other sculptural works speak to this more personal view of labor and tie what is built to the anonymous builders, people whose labor—whether used for the construction of an apartment block or a pair of jeans—is increasingly taken for granted along with the resources used to fuel our disposable lifestyles.

Born and raised in the Ukraine, Pinkusevich holds a BFA from Rutgers University and an MFA from Stanford University. She has been the recipient of a Headlands Center for the Arts Graduate Fellowship in Sausalito, a Cite Des Arts International Studio Residency in Paris, and a Helen Wurlitzer Foundation Residency Grant in Taos, New Mexico. She has exhibited primarily in San Francisco, New York and Santa Fe and her work is in the collection of Google, Inc. and the city of Albuquerque.


Stephanie Syjuco: Modern Ruins (Popular Cannibals)

For Modern Ruins (Popular Cannibals), Stephanie Syjuco takes beloved archetypes of modernist furniture and reproduces them dump-style to explore a range of ideas related to production, consumption, class, and economies. Continuing her investigation of copies and counterfeits, her George Nelson tables and Verner Panton lamps speak to how today’s reproductions are generations removed from their furniture forbearers. These iconic objects have been knocked-off or borrowed from so often that many people may think they originated at Ikea or Crate and Barrel. By exploring these forms, questions arise as to the original intent behind the designs and their meaning in today’s world where the clean lines of modern furniture often serve as signifiers of an affluent, idealized lifestyle.

Using what she describes as a “shanty-like” aesthetic, Syjuco’s reproductions are certainly not meant to fool anyone or be functional. Instead, they bring the sleek, modern ideal into collision with the scavenged and cobbled-together through the immediate use of materials in rudimentary constructions. The works speak to the shoddy materials and cheap labor used to produce affordable contemporary modern furniture, and like the remnants of a dying civilization, suggest societal and environmental collapse. Calling on her own memories of the Philippines where International Style buildings stood alongside slums and shanties, Syjuco’s work also references Modernism’s long and complicated relationship to developing countries—how decades ago these new urban spaces adapted and formed their own versions of Modernist architecture which in many cases are now dilapidated signs of the promise of utopian progress.

Syjuco is an assistant professor in Sculpture at the University of California at Berkeley. Her work is in the collections of the Whitney Museum of American Art, the San Francisco Museum of Modern Art, the New Museum in New York, and the Museum of Fine Arts Houston. She received an MFA from Stanford University and a BFA from the San Francisco Art Institute and has exhibited internationally including at venues in Paris, Manila, Berlin, and Bangkok. She is represented by Catharine Clark Gallery in San Francisco.

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Brittany Watkins: The Time Objects Tell
During her residency, Brittany Watkins has collected objects such as window blinds, wire and inner tubes, and has shredded, knotted, woven and bent them to create abstract sculptural works. By dramatically altering their forms, Watkins has liberated these common items from their intended uses and explores their hidden potential. Watkins’ repetitive and time-intensive working process provides intimacy with the materials, and the resulting sculptures speak to connections between the inanimate and the animate. Suggestive of natural or biological forms, her works may also prompt viewers to assign more personal, human qualities to these objects.

For her exhibition, Watkins will present a large-scale sculpture as the centerpiece of an installation that will include other smaller, related works. Designed to be entered, this central piece will enable viewers to step inside, be engulfed by the materials, and have the same sort of personal experience with them that the artist did when making the work. Those that enter will also be confronted with their own physicality within a space that itself references the body. The other small pieces that compose this sculptural ecosystem serve to illustrate the versatility and mutability of the materials. They are grounded, but also loop, drape, and expand out, adapting as required to unseen forces.

Watkins is a graduate student at the California College of the Arts. She received her BFA from Montana State University with an emphasis in sculpture. She has exhibited at the Center on Contemporary Art in Seattle, the International Sculpture Center Temporary Space in Chicago, and the IEI Austin Gallery in Texas. Her work was published in the October 2011 issue of International Sculpture.


About the Recology Artist in Residence Program

Since 1990, the Artist in Residence Program at Recology San Francisco has encouraged the conservation of natural resources while instilling a greater appreciation for art and the environment in children and adults. This one-of-a-kind program enables artists to work in studio space on site for four months, use materials recovered from the Public Disposal and Recycling Area, and speak to students and the general public about reuse and their residency experiences. Over one-hundred professional Bay Area artists have completed residencies. Applications are accepted annually in August.

When:
Reception- Friday, January 24, 2014, 5-9pm
Reception-Saturday, January 25, 2014, 1-3pm
Additional viewing hours-Tuesday, January 28, 2014, 5-7pm
Artist panel discussion- Tuesday, January 28, 7pm

Where: Art Studio located at 503 Tunnel Ave. and Environmental Learning Center Gallery at 401 Tunnel Ave., San Francisco, CA

Admission is free and open to the public, all ages welcome, wheelchair accessible. http://www.recologysf.com/AIR

Tis the Season… for Recycling and Reuse!

Recology Holiday Recycling

Building a Culture of Zero Waste

Posted in Policy, Resource Recovery, San Francisco, Waste Reduction, You Should Know... by ecotulip on September 6, 2013

Guest blogger, Malaika Thorne, Sustainability Program Manager at Recology on WASTE ZERO and Zero Waste. 


Yesterday, an independent panel consisting of former Mayors, architects and reps from the World Bank, the C40 Cities Climate Leadership Group and Siemens recognized ten cities around the world for their leadership in urban sustainability practices. San Francisco was recognized for it’s work in “waste management”. I think they actually meant resource recovery, but, it’s just semantics. Right?

In 2009 we started talking about WASTE ZERO. It’s our rallying cry to make the best and highest use of all resources that we can. The real natural resource challenges we’re facing around the world, and in California, have everything to do with it. Recology is driven to find a social, environmentally-sound and economical solution to the vast amount of waste that we create in industrialized economies. I was reminded that we have a lot in this country while having a conversation with one of the Haitian artists working at the San Francisco transfer station. He expressed surprise at just how much gets thrown “away”. Good things, repairable things. Reusable things. Recyclable and compostable things.

In San Francisco, the call to make Zero Waste a reality is starting to be heard. And with this award comes some recognition of the hard work being done in the city by regular people who have started to change their habits. They pause and consider what can be recycled and composted as they stand over the three containers in their kitchens. They search through Whatbin.com for answers to what goes where. And while there is still a ways to go before we reach zero waste, we’re at least on our way. And that’s exactly what sustainability is about.

Congratulations to everyone in San Francisco!

Upcoming Artist in Residence Program Exhibition at Recology San Francisco

Posted in Diversion, Events, San Francisco, You Should Know... by art at the dump on September 5, 2013

The Artist in Residence Program at Recology San Francisco will host an exhibition and reception for current artists-in-residence Kristin Cammermeyer and Chad Hasegawa, and visiting artists Claudel Casseus, Romel Jean Pierre, and Racine Polycarpe on Friday, September 20, from 5-9pm and Saturday, September 21, from 1-3pm. Additional viewing hours will be held on Tuesday, September 24, from 5-7pm. An artist panel discussion will follow at 7pm at 401 Tunnel Avenue. This exhibition will be the culmination of work by the artists who have scavenged materials from the dump to make art and promote recycling and reuse.

Kristin Cammermeyer: DOUBLE HOW in & out the Back Room

When first looking at Kristin Cammermeyer ’s large-scale installation in the backroom of the Recology Art Studio, one might not immediately see a connection to her background as a painter. But it soon becomes apparent that she manipulates line, color, and perspective to alter perception, much as a painter does to convey three-dimensionality in 2-D. Cammermeyer uses these effects to create a sense of disorientation, which she likens to the surreal environment of the Public Disposal and Recycling Area, where she scavenged for materials. Viewers can succumb to the manipulation of lights, mirrors, and other objects placed in groupings throughout the space that appear like abstract still-lifes, framed by the lumber that is the infrastructure for the installation. Though carefully composed by the artist, the arrangements speak to the random meeting of materials at the Recology site which Cammermeyer has described as, “the arbitrary, yet seemingly composed moments that can occur at the fringes…instances of incidental formalism that suggest a collective consciousness and elegant design in a seemingly haphazard world.”

Site-specific in nature, Cammermeyer’s installation mirrors the framework and trusses of the building’s architecture which she sees as another found material with which to work. Cammermeyer has placed raw materials at the top of the installation, with the materials becoming more refined as they move down through the piece, drawing connections between the artistic process, the dump, and human digestion, in their shared processing of materials through labor. The constant movement of materials at the Recology facility is mimicked in the life-cycle of the installation, documented in her time-lapse video. The video provides a flattened, framed format through which one can experience the changing work. The precision of her construction and the vision behind it becomes even more apparent in this context as lines, shapes, and objects strategically envelop the video screen. Cammermeyer will also embed small mixed-media pieces within the installation and is working on a series of owl boxes for the sculpture garden.

Chad Hasegawa: Os Pukas

A constant in Chad Hasegawa’s paintings, sculptures, and murals is his iconic grizzly bear. Traditionally symbolic of strength and courage, in Hasegawa’s works the bear’s meaning is expanded to personify a range of qualities. Sometimes self-referential and sometimes representing the artist’s family or friends, Hasegawa’s bears offer the opportunity for anyone to see themselves in his depictions of strength, protectiveness, vulnerability, solitariness, and fierceness. During his residency, Hasegawa’s grizzly bear has explored the terrain of the dump. Paintings, sculpture, and an installation by Hasegawa position the bear as scavenger and survivor trying to make a home amidst the cast-off debris, and speak to the collision of nature and civilization. By positioning the bear at the dump, associations can be made regarding how our trash ultimately impacts the natural environment and the animals who reside there, but Hasegawa’s work speaks more broadly to ideas of the human/animal relationship. His bears inspire a sense of reverence, and suggest a more mystical or unexplainable connection between us and our animal counterparts. Says Hasegawa, “…bears are highly respected in many cultures and are considered to be ancestral spirits. Each of my bear paintings is created with the intent of being a protector; personally for myself and for everyone that may come across my work.”

In a large-scale installation, Hasegawa has crafted a cave from corrugated sheet metal, wood, and other found objects. By calling the work “Os Pukas,” Hasegawa has combined Portuguese and Hawaiian, using the word puka, or hole, to reference both a habitable space and the artist’s Hawaiian roots. Visually connected to shanty towns, such as the favelas of Brazil, the installation is both a bear’s den and a symbol of global struggles to find shelter and security. The work speaks to the fundamental need for habitable spaces, connecting us in the most primal of ways to the animal world. In addition to the installation, paintings, and sculptural works, Hasegawa will also paint a mural outside the Household Hazardous Waste Facility.

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Port-au-Prince to San Francisco: Work by Claudel Casseus, Romel Jean Pierre, and Racine Polycarpe

Beginning in mid-August the Recology Artist in Residence Program will welcome Claudel Casseus, Romel Jean Pierre, and Racine Polycarpe to the San Francisco Solid Waste Transfer and Recycling Center. The artists live and work in Grand Rue, Port-au-Prince, Haiti and are part of Atis-Rezistans, an artist collective whose members use recycled materials to create assemblage art. Their mini-residency at Recology is sponsored by Project HOPE Art, a local non-profit. This will be the first time artists from outside the Bay Area have participated in Recology’s residency program.

Claudel Casseus
Claudel Casseus was born in 1981 in Grand Rue, Port-au-Prince, a neighborhood with a strong art and creative community. From a young age Casseus made art and in 2008, he joined Atis-Rezistans. In 2009, he participated in the 1st Ghetto Biennial, an international arts festival organized by Atis-Rezistans and British artist/curator Leah Gordon. During the Biennale, Casseus met British artist Bill Drummond, and after the 2010 Haitian earthquake he collaborated with Drummond on Imajine, a book describing his experiences following the disaster. Casseus’s sculptures, informed by Vodou and made from recycled materials, have been included in many exhibitions. This will be Casseus’s first trip outside of Haiti.

“I grew up in a large ghetto in Port-au-Prince, a place that has a lot of trash around. I take advantage of this situation by creating artwork with the same garbage found in the community. I think this is a way to educate people who live in the area, to make people understand that it is not necessary to keep throwing trash in the street. Because with art, any number of things can be created. Definitely, art is a means of communication with everyone, regardless of social differences. Art can help a person to manage the frustration inside him and it enables you to say what you feel is happening in the world, whether positive or negative. Therefore, I think a person who chooses to make art is a person who wants to collaborate with the world.”

Romel Jean Pierre
Growing up in Port-au-Prince, where he was born in 1993, Romel Jean Pierre initially was interested in becoming a politician, but turned his focus to art when he attended the 1st Ghetto Biennale. He joined the youth division of Atis-Rezistans, called Timoun Rezistans, and began creating the video performance/citizen media series, Tele Ghetto Haiti. For the 2nd Ghetto Biennale he collaborated with Bay Area artist and writer Robert Gomez on Dreams/Rèv Ou, a video project in which Haitians speak about their hopes for the future. Romel’s works have been exhibited widely. In 2011 he was a visiting artist at Bates College in Maine, and in April, 2013 he attended the Tribecca Film Festival in New York where he participated in a panel discussion on Inside Out-The People’s Art Project, a documentary film about the French artist JR who worked with Romel in Haiti. Tele Ghetto video works can be seen on Facebook and Youtube. Romel will head the new photography program at the Project HOPE Art Center located at Haiti Communitere, in Port-au-Prince. The Art Center is housed in a converted 20-foot shipping container.

“The Rezistans movement means many things to me, because when I wasn’t part of it, I knew I would spend each day not doing anything and that knowing life would pass me by as I joked around, not going to school and losing all good chances in my life…”

Racine Polycarpe
In 2006 at the age of fifteen, Racine Polycarpe was adopted by his uncle, the well-known artist, Jean Hérard Celeur. He worked as an apprentice at his uncle’s school, the Realm of the Arts and Minds, in Grand Rue, Port-au-Prince, where he learned about contemporary art history, the skills of carving wood and rubber, and how to create sculptural works from found objects. Polycarpe is also a member of Atis-Rezistans, which was founded by his uncle. His work has been exhibited in Haiti at the Institut Francais (2009), the Fet Gede at the National Cemetery (2009), the 1st and 2nd Ghetto Biennales (2009, 2011), and Nouvo Rezistans at the Institut Francais (2011). In 2010 his work was exhibited at the Portman Gallery in London, and at the XISM Etnografiska Museet in Stockholm. This will be his first trip outside of Haiti.

“I make sculpture out of recycled materials such as wood, plastic, metal, rubber, and anything I find. I also make painted sculptures with carved rubber from old tires. The reason I use these materials as my medium is because, in my country, when people are finished using things they just throw them outside. As artists we see value in these things and turn them into art following the history of assemblage art. It is a transformative act to take these discarded objects off the street and turn them into art.”

About the Recology Artist in Residence Program

Since 1990, the Artist in Residence Program at Recology San Francisco has encouraged the conservation of natural resources while instilling a greater appreciation for art and the environment in children and adults. This one-of-a-kind program enables artists to work in studio space on site for four months, use materials recovered from the Public Disposal and Recycling Area, and speak to students and the general public about reuse and their residency experiences. Over one-hundred professional Bay Area artists have completed residencies. Applications are accepted annually in August.

When:

Reception-Friday, September 20, 2013, 5-9pm

Reception-Saturday, September 21, 2013, 1-3pm

Additional viewing hours-Tuesday, September 24, 2013, 5-7pm

Artist panel discussion-Tuesday, September 24, 7pm

Where:

Art Studio located at 503 Tunnel Ave. and Environmental Learning Center Gallery at 401 Tunnel Ave., San Francisco, CA

Admission is free and open to the public, all ages welcome, wheelchair accessible.
http://www.recology.com/AIR

Recology – Art at the Dump – Issue No. 7

Posted in Portland, Recology, Resource Recovery, San Francisco, You Should Know... by art at the dump on July 1, 2013
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Current Resident Artists

Kristin Cammermeyer and Chad Hasegawa began their residencies on June 1. Both artists are busy scavenging lumber that they’ll be using in very different ways. Kristin is building a large-scale installation in the back room and Chad is constructing panels for his paintings. Kristin’s installation is already in progress and in a perpetual state of flux. She is filming the work as she alters it, while also filming sites around the facility that are in constant change. We’re very happy to report that we’ve received the green light to have Chad paint a mural outside our Household Hazardous Waste Facility which will feature his signature bear imagery. If you’re dropping off paint, batteries, or other materials in the next three months, look out for Chad as you pull out of the driveway! Their residency exhibition will take place on Friday, September 20 from 5-9pm and Saturday, September 21 from 1-3pm.

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Visiting Artists from Haiti

Beginning in mid-August the Recology Artist in Residence Program will welcome three visiting artists from Haiti: Claudel Casseus, Romel Jean Pierre, and Racine Polycarpe. Sponsored by Project Hope Art, this mini-residency will enable the artists to use our student studio (the shipping container behind our offices), and scavenge for materials to make their art. The artists will work on-site for approximately one month and exhibit finished and in-process artwork at the Environmental Learning Center at 401 Tunnel Avenue during our September exhibition. The artists belong to Atis-Rezistans, an artist collective in Port-au-Prince whose members use recycled materials to create assemblage art. This will be Claudel and Racine’s first trip outside of Haiti.

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We’re Accepting Applications!

Applications for 2014 residencies are due August 30th. For information on how to apply and to download an application:

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GLEAN exhibition

2013 GLEAN residency artists will exhibit their work August 16 to September 8 at Disjecta in Portland, Oregon. This is the third year of the Portland-based program developed collaboratively by Recology; Cracked Pots, Inc., an environmental arts organization; and Metro, the regional government for the Portland metropolitan area. Artists Kim Lakin, Owen Premore, Eric Rosewall, Christopher Wagner, and Vicki Wilson have been working since March, scavenging for materials at the Portland Transfer Station to make their art. An opening reception will be held August 16, from 6-9pm.
www.disjecta.org

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The Art of Recology at SFO Museum on exhibit through October

We continue to hear good things from folks who have traveled on United Airlines and have seen our exhibition in Terminal 3 at SFO. Over one-hundred pieces made by forty-five artists during their Recology residencies are on display in The Art of Recology. Because the exhibition is past security and only viewable by passengers ticketed for United, a website has been created featuring video and photos of the exhibition. Experience the show virtually at: recologysf.com/SFO

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Alumni News

Current resident artist Kristin Cammermeyer has received a MacDowell Colony residency and will be there this fall after completing her work at Recology.

Updates on The Genius of Marian, Banker White’s film which follows his mother’s battle with Alzheimer’s disease, can be found here. The film premiered at the Tribeca Film Festival and will be screened in Russia at the Moscow Film Festival this month.

Stephanie Syjuco will be busy prior to her October-January Recology residency. In addition to participating in exhibitions in cities including New York, Philadelphia, Los Angeles, and São Paulo, Brazil, she will be an artist-in-residence at the FLACC Workplace for Visual Artists in Genk, Belgium, the Bemis Center for Contemporary Art, in Omaha, and ACRE in Steuben, Wisconsin.

Nicole Repack is one of four artists in the Triton Museum of Art exhibition, Spiral: Art of the Street. The show runs from September 14 to November 17.

Upcoming Recology artist-in-resident Yulia Pinkusevich will be in Paris from July to September participating in the Cite International des Arts residency. Her work was included in the films 3020 Laguna St. In Exitum and Umoja-One. 3020 Laguna St. In Exitum premiered at the San Francisco International Film festival and features the installations of seven local artists; Umoja-One documents a collaborative project with dancer/performer Rahan Boxley and is Official Selection for the San Francisco Black Film Festival.

Dana Albany’s spaceship, The Y.E.S. Project, will be installed outside the Exploratorium on August 12. At night it will be illuminated with 130 slowly changing sequences. People will be able to crawl into the spaceship August 17 when it is part of the Exploratorium’s Trashformationevent.

Colette Crutcher and Aileen Barr are completing tilework at Cesar Chavez Park in Oakland’s Fruitvale District. The park will open in mid-July. Crutcher and Barr are also collaborating on a 75-foot-high, tiled stairway in the Sunset. There will be a community participation workshop for this project on July 20th, 1-5pm. See www.hiddengardensteps.org for more information.

Suzanne Husky has created Jardin a la Française Sauvage for the Milieux exhibition at the Domaine de Chamarande in Essonne, France. Husky has made a large French garden composed of flowers beneficial to birds and bees. It is on view through September 30.

Donna Ozawa’s Waribashi Project can be seen in Nature’s Toolbox: Biodiversity, Art and Invention at the Ulrich Museum of Art in Wichita Kansas, August 31 to December 17.

James Sansing won a grant from the Sustainable Arts Foundation. The foundation provides monetary support to parents pursuing creative work.

Michael Damm will have work in the exhibition Artists Who Teach at the Wiegand Gallery at Notre Dame de Namur University, September 17 to October 26. Damm’s work is also included in Afterglow: Rethinking California Light and Space Art at St. Mary’s College Museum of Art running from August 4 to September 29.

Erik Otto’s solo exhibition, Searching For Higher Ground, will be at the Luna Rienne Gallery in San Francisco. The exhibition is on view from August 17 to September 23, with an opening reception August 17 from 6-9pm.

Work by Val Britton will be included in the exhibition Journey Forth: Contemporary Landscape Between Technology and Tradition at Gallery Wendi Norris from July 11 to August 31. Over the summer she will also have work in exhibitions in cities including New York and Laguna Beach. She was recently profiled in Art Ltd. Magazine.

Barbara Holmes recently completed a residency in Virginia City, Nevada through Capital City Arts Initiative (CCAI). Work can be viewed here. A reception will be July 12th, 5-9pm at SMAC in Virginia City. Holmes will be an artist-in-residence at the Facebook campus in Menlo Park for six weeks this summer and will be working on a lath installation there (among other activities).

For the month of July, Karrie Hovey will be an artist-in-residence at Frank Lloyd Wright Taliesin in East in Spring Green, Wisconsin.

Work by former Recology artists-in-residence, Val Britton, Lauren DiCioccio, Julia Goodman, Jeff Hantman, Barbara Holmes, David King, Christina Mazza, Scott Oliver, and Sudhu Tewari will be featured in the de Saisset Museum’s exhibition Reduce, Reuse, Re-Imagine, from August 16 to December 6.

A watch band designed by Sirron Norris for the company Basis has recently been released. His bus stop posters promoting the San Francisco Public Library are on view around the city.

David King’s work will appear in the three-person show Cut & Paste at Hang Art Gallery in San Francisco. The show runs from July 1 to 15, with a reception July 11, 6-8pm. In August, King will be a resident artist at the Lucid Art Foundation in Inverness.

Julia Goodman will be a resident artist at Lost Coast Cultural Machine in Fort Bragg, California from August to September. Her work will be included in the exhibition, Around the Table: Food, Creativity, Community, at the San Jose Museum of Art, November 9, 2013 to April 27, 2014.

James Gouldthorpe recently received a residency at Villa Montalvo. He will be there in 2014.

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If compost collection can make it in NYC, it can make it anywhere.

Congratulations Big Apple on Going Green!

Dozens of cities and hundreds of universities are following San Francisco’s lead and instituting urban compost collection programs. Most of these programs are located where one might expect to find them: Seattle, Portland, Maine, and University of California campuses. But not everyone expected New York City to come to the party. On June 16 Mayor Michael Bloomberg announced plans to expand and eventually require food scrap compost collection at locations across the city.

In discussing the plan, officials also signaled interest in the zero waste movement. “You want to get on a trajectory where you’re not sending anything to landfills,” Caswell F. Holloway IV, a deputy mayor, told The New York Times.

San Francisco aims to achieve zero waste by 2020, a goal set by the Board of Supervisors. The green bin program is a major contributor to San Francisco’s landfill diversion rate of 80 percent, the highest in the country.

Replicating the San Francisco program is just common sense. Food scraps collected from San Francisco are turned into nutrient-rich compost that is applied to local farms. Most of them are vineyards in Napa and Sonoma counties. Compost made from food scraps collected in New York City could be applied to farms in upstate New York, farms that grow fruits and vegetables sold at the 19 farmers’ markets in the city.

There are many wonderful things about these programs. They keep things out of landfills and feed topsoil on local farms, which helps farmers grow healthier food. Urbanites like to shop at farmer’s markets and increasingly are hearing about the connection between tossing coffee grounds and vegetable peelings in their kitchen compost pails and the heirloom tomatoes and fresh carrots they buy on Saturday mornings.

Bloomberg’s announcement generated a lot of New York media coverage and press calls to San Francisco seeking reaction and insights. Reporters looking for opposing views among New Yorkers were mostly disappointed and within two days said “people like it.”

The Times reported that test compost collection programs in New York have shown an “unexpectedly high level of participation.” More than one headline read like this one: “Take it from a composting veteran, it is easier than you think.”

That perspective will feel correct to most people who live and work in San Francisco, experienced composters that we are. Some here are compost holdouts and need to get with the program, but in total we are getting our city a little closer to zero waste everyday. And in that context it was nice, at least for a few days, to read headlines like “New York City amps up food recycling, while San Francisco shows the way.”

Art made from garbage delights travelers at SFO

Posted in Events, Recology, San Francisco, You Should Know... by ecotulip on June 25, 2013

News release

San Francisco, Calif. (June 25, 2013) – Recology announced today the launch of a web page featuring SFO Museum’s exhibition of work from the Recology Artist in Residence Program at the United Terminal. The Art of Recology, highlights this innovative art program that was founded to challenge the way we think about waste, consumption, and art.

The video and slide show, located at recologysf.com/SFO, allow those who can’t see the exhibition in person to experience the artwork online. More than 100 pieces made by 45 Bay Area artists who have participated in the program are on display.

“The purpose of the program is to encourage recycling, help San Franciscans think outside of the box, and help us get to Zero Waste,” said program manager Deborah Munk. “Recology believes that art has the power to influence behavior and inspire new ways of thinking about resource conservation and sustainability.”

The exhibition is open through October 2013 and is expected to be viewed by more than 2.5 million people. The myriad of artworks displayed include a gown made from recycled San Francisco Chronicle delivery bags and a life-sized Styrofoam Hummer.

“The wide-ranging artworks stand on their own as extraordinary examples of beauty and creativity, but the larger message of the need to change our view of material goods and their disposal in the waste stream is ever present,” said Tim O’Brien, SFO Museum Curator of Exhibitions. “It’s really gratifying to see such a strong public response by visitors.”

The Recology Artist in Residence Program aims to inspire and educate by providing local artists with access to materials, a work space, and monetary and administrative support. The artists chosen for the professional residency program have 24-hour access to a studio space and can scavenge in Recology’s Public Disposal and Recycling Areas for materials. Every piece they make has to be made completely from recycled or reused materials.

Through its tours and exhibitions over the past 23 years, the Artist in Residence Program has brought together diverse communities such as artists, students, environmentalists, businesses, and educators who share a common goal of creating a more sustainable world. The program has become world renowned, sponsoring more than 100 Bay Area artists since it began in 1990.

“In my opinion, this exhibition is the highlight of the Artist in Residence Program,” Munk said. “We believe that people who visit the SFO Museum exhibition will start thinking about reuse or recycling in a way that they wouldn’t by merely getting a pamphlet in the mail.”

To watch a video about the exhibition or download images of the artwork, visit recologysf.com/SFO.

Media Contacts:

Gina Antonini

Singer Associates

gina@singersf.com

(415) 269-2237 cell

Deborah Munk

Recology

dmunk@recology.com

(415) 330-1415

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